Circus Act or Portraiture (March 30, 2006)
Thursday, March 30th, 2006
Has there really been a portrait photographer who has depicted transvestites in a compassionate way? I have been thinking about that one. Diane Arbus was considered by many to be one of the first to explore transvestites in a humane light. However, if one were to examine her photos of transvestites within the oeuvre of her work, it would become clear that they were just one of the many “freaks” on the fringe of her society, a motif that writers have often treated as Arbus’s own alienation from society. Nan Goldin is a later figure that comes to mind as well. Though I respect how Goldin sees the transcedental nature of transgirls, there’s still an element of the sideshow curiosity, detached from any connection to the rest of the human race or emotion. It certainly isn’t representative of what’s really out there. I’d like to think that a persona isn’t wholly centered around one’s trans* state. To put it simply, when the clothes, padding, makeup, and hormone tablets are put away, what are we left with?
It’s a problem, because success stories- by validation of public recognition- always form a precedence for many future practitioners to emulate. I’ve always been of the opinion that ideas which result from interdisciplinary knowledge are far more interesting than homogenous copies. That’s not to say that I won’t be interested in a photo essay on transvestites by someone like Mary Ellen Mark, or Sebastiao Salgado.

