Archive for January, 2009

Freud said: “Sometimes a cigar is just bigger than someone else’s cigar” (update: Jan 29, 2009)

Thursday, January 29th, 2009

Media deconstructionists and feministing semioticians will look at these Kiwi shoe polish ads and tell you there is something inherently servile about a scantily clad woman polishing her man’s very large shoe.

I mean, what’s a girl like me to do? Go through my daily chores and clean my guy’s filthy shoes while wearing lingerie, heels, and makeup?

Uh…yeah!

Though I think learning to read ads by slavishly following media theory may, in some ways, be no different than slavishly following ads and being led to slaughter consume.

So I freely chose to read ads using my own rules.

From the two images above, I conclude the advertising agency was trying to perform a public service and inform me of the following: Men with big feet get all the hot chicks.

Bi Cpl Sks T*girl (update: Jan 27, 2009)

Tuesday, January 27th, 2009

I was browsing through my Flickr groups the other night and I saw entries from multitasking couples who apparently thought they could slip a pickup between conversational posts about pictures. Call it a hookup trapped in the body of a discussion thread.

When you employ a bit of deductive logic, you actually end up with a chuckle: with the scenario of a “Bi Couple seeking a trans girl,” one presumes that the t*girl in question is pre-op, since a Bi Couple would be merely seeking “a girl” (which includes all post-op girls) if the extra features weren’t included.

Next, if the girl from the Bi-Couple wanted to be penetrated, that would categorically exempt her from being Bi, since her boyfriend can easily provide that. By the same token, if the guy from the Bi-Couple wanted to do the penetrating, it’s really no different between post-op t*girls and female recipients for either points of entry, or the common point of entry (if the t*girl were pre-op).

Armed with this information, we can narrow it down to just where the “Bi” is coming from in the couple. It all boils down to one thing: the guy in the Bi Couple really is the one who wants to be penetrated.

Note to friends and gentle readers in search of a threesome: you want to answer the ads with “Gay Couple sks Third”

The statistical probability of everyone returning home happy increases exponentially when you do.

Funniest Stand Up Comic (update: Jan 19, 2009)

Monday, January 19th, 2009

click on the pic above or this link.

Whenever I watch stand up comics perform live onstage in front of an audience on television, the first thing I think about is Polish documentarian Marcel Lozinski’s Cwiczenia warsztatowe (Workshop Exercises).

I mean….doesn’t EVERYBODY?

In his film short, a person interviews disenfranchised Poles about a communist society, but shows, that with subsequent edits, pessimistic and cynical outlooks can, with proper cuts and splices, be turned into an upbeat commercial to sell a viewpoint. I watch the cuts between a comic doing his routine, cut to the angle of laughing audiences, and I ask myself: were they really laughing at that joke, or was it an edit? There’s no real way to tell…unless you were there. Even when the camera shoots from behind the comic, we don’t really know if a particular joke that sends the audience neighing was the actual one or a voiceover. I suspect it’s a clever sleight of hand to manufacture consent.

Comedy Central is letting viewers decide who they think is the funniest stand up comic. I’m glad to see the overrated Dane Cook didn’t make the top five. (Sure, there are many who may be jealous of the throngs of female fans he has…but simply put, he’s just not that funny. He had one good joke involving the middle finger, and he named his company and designed his stage – the shape of a hand with fingers- after that one good joke)

I always like the late Mitch Hedberg and Dave Attell is quite hilarious in his unpredictability. I had a videotape of Johnny Sanchez that got passed around to so many friends, nobody even knows where it is anymore. As far as recent comics go however, Bill Burr has got the New Yorker sensibility down pretty good and his rants on women are spot on. Jim Gaffigan is quite funny too, especially when he bookends every joke with “I didn’t have my pants on.” My vote for funniest comic however, goes to Nick Griffin.

Much better looking than that other guy (girls are you paying attention?) and definitely much funnier:

Martin Luther King, Gandhi?
Who do we look up to? Jared from Subway.
Some fat guy who finally stopped eating.
Their guy had a dream, our guy had a sandwich.

Click here for another funny Nick Griffin clip.

New Money (aka: Label Whores) (update: Jan 14, 2009)

Wednesday, January 14th, 2009

from sofysophia blogspot

Long ago on a visit to Victoria Peak in Hong Kong, I saw a woman alight from a fancy car wearing what looked like finely tailored clothes cut on the bias. Everything was high class.

Except her carriage, posture, and walk.

I filed that image away under “c” for future comedy resource.

Apparently, there’s an entire world out there where people can only wear couture brand names. Anything else is beneath them. We know these specimen as “label whores.” There’s one around every corner in every country. The ones who can’t afford it (or didn’t get their second mortgage approved to buy those Prada pumps) simply spot a t-shirt with a poorly printed polo player on the front. Two degrees of separation is surely better than Macy’s INC.

Early in 2008, my second cousin visited and opened a new universe to my perception. There’s an army of online bloggers who apparently photograph their brand name possessions and post it online. They would line up their possessions and photograph them, and then post it. (I had to say that twice just to make sure I wasn’t in Kansas anymore).

REALLY!?

It was as if the products which utilized the simulacrum of identities they co-opted themselves into by consuming, has become the identity itself. The deification of the object has become the lifestyle it was suppose to provide a gateway to.

I was shocked. I immediately sent the links of the blogs to friends without saying “will you look at this madness?!” They, in turn, made the mistake of reading every entry, thinking I was actually sharing something meaningful with them. An hour later, a few wrote back and said, “I love this line: I’m turning 27 and have nothing to show for it except a few designer bags and shoes

I guess you could go the other extreme too. Take me for example: All these years I spent too much time working on my personality (it took that long and it’s still far from done!). And now it shows that I haven’t worked on anything else!

Happy Mondays Music To Be Used For Tic Tac Commercial? (update: Jan, 13, 2009)

Tuesday, January 13th, 2009

Kevin James and Segway in Mall Cop

You can always tell the generation of viewers a TV Commercial is trying to target.

The doors to endless possibilities were thrown open when a family vacation cruise ship is selling pre-packaged tours to Iggy Pop’s heroin anthem Lust for Life. Even if you weren’t around during Iggy’s height, you, like me, were dancing around like hypnotized chickens in CBGB’s when the Ramones took the stage. For the even younger generation, they will remember Lust for Life responsibly utilized in the service of Ewan McGregor’s beautiful opening monologue in the allegorical movie of capitalism, Trainspotting:

‘Choose life, choose a job, choose a career, choose a family, choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed interest mortgage repayments, choose a starter home, choose your friends. Choose leisure-wear and matching luggage. Choose a three-piece suite and higher purchase and a range of fucking fabrics. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you’ve spawned to replace yourself. Choose your future, choose life. But why would I want to do a thing like that? I chose not to choose life, I chose something else. And the reasons? There are no reasons! Who needs reasons when you’ve got heroin?’

Now this, to me, really screams family vacation on a cruise liner with an all-you-can-eat buffet at noon, a steps aerobic workout at 2.

Sometimes however, musical associations don’t always deteriorate in diminishing returns. Remember Carl Orff’s rousing chorus O Fortuna from Carmina Burana? Used ceaselessly in countless American commercials of manhood overload, it was what Wagner’s Ride of the Valkyries was to the 70s. If you are not a classical aficionado and you went by popular simulacrum, then when you hear this snippet, you would initially fancy yourself a Nescafe drinker, then suddenly you are King Arthur in Excalibur, and then you become Mel Gibson’s Hamlet. After that, you would probably see yourself as a WWE Wrestlemania wrassler, then a Nascar driver, and ultimately a UFC cage fighter.

But now, you’re suddenly a fat mall cop on a Segway Transporter.

I know to start expecting my issues of AARP in the mail when they start using the Sex Pistols’ Bodies for an International House of Pancakes Commercial.

CSI: Wasilla (update: January 12, 2009)

Monday, January 12th, 2009

I don’t have a stomach for murder.

Guess that’s why to date, I haven’t seen one single episode of Law & Order, CSI, or it’s 854,211 offshoots (ie. CSI: Wasilla).

The public’s fascination with murder is not a recent fetish. The sensational news reports of Jack the Ripper in 19th century London’s Whitechapel to the Boston Strangler in the 60s, and all those lurid 70s private detective magazines are just descendants from times when public executions in town squares were viewed as entertainment.

The most shocking TV moment in 2008 for me was a scene when a couple in Discovery Channel’s Cash Cab was asked a question about serial killers. The girl chimed enthusiastically, “Ohmigod! I should totally know this one, I LOVE Serial Killers!” It’s not the only instance, as I have known many well-adjusted, family women who voraciously read bios on murderers and detailed accounts of murder scenes. The stuff makes me cringe.

I did read Thomas Harris’s Hannibal, even though the Loci Method (described as Jesuit Matteo Ricci’s Memory Palace after Cicero’s story of Simonides) was the biggest draw in the book for me. The Memory Palace is architecture as mnemonic device, where the layout of a building is used to aid one’s memory. Around 500 BC, the Greek Simonides of Ceos was having dinner with his pal Scopas when he decided to step out to have a cigarette. Scopas outsourced his banquet hall to Roman contractors because he didn’t want to provide a 401 K plan. So not only did the contractors hire illegal Scots who jumped Hadrian’s Wall to apply for Bank of America credit cards, they also took ages to complete the structure, vindictively slapping together a poorly built structure which collapsed and killed everyone when an overweight guest suddenly decided to perform interpretive macarena.

After his smoke, Simonides realized he forgot his breath mints when he heard the ambulance tearing around the corner, so he had to hurry and sort through the rubble and dead bodies. In order for him to recall the position of the last dinner guest he saw with a pack of Eclipse mints, he had to resort to his memory. That’s how the Method of Loci came about.

As you can see by the ease with which I recalled this story, my Memory Palace is basically a cardboard box.

I think to appreciate the horror of Hannibal Lecter, one has to spend some time in the kitchen with a real life culinary master. I will always remember how startled I was when I first saw my favorite tv chef, sweet Jacques Pepin demonstrating how to slice french bread. The sheer violence and precision of his (very hairy) arms bringing down the knife raised my eyebrows, which was then accompanied by a nervous scamper to hide behind my stuff animals. Also, if you’ve ever had to practice his famous 20 second deboning of a whole chicken for a ballottine, you’ll probably learn more about silencing a lamb than all the CSI you can stomach.

Forever Young: That New Zealand TV Commercial Song (update: January 11, 2008)

Sunday, January 11th, 2009

New Zealand TV Commercial featuring Forever Young, a cover by Australian band Pluto of the original song by Germany's Alphaville

from Tourism New Zealand’s TV commercial featuring the cover of Alphaville’s song Forever Young

I, along with thousands of other online fiends, went seeking for that curious song on the TV commercial for Tourism New Zealand. I knew it sounded familiar. It seems many things that sound familiar these days lead back to the 2004 movie Napoleon Dynamite, as an acoustic guitar version of the Penguin Cafe Orchestra’s Music For A Found Harmonium- a riff that has backed countless youtube clips – gave us that deja-vu feeling that the movie was so skilled at doing.

Not only was German band Alphaville’s (original band name was “Forever Young”) 1989 hit Forever Young used in Napoleon Dynamite during the prom scene, it was also remade by the Aussie band Youth Group in 2005 for the TV show the O.C..

Enter now Milan Borich and the New Zealand band Pluto, to remake once again, Forever Young for the Tourism New Zealand commercial. Don’t get me wrong: it’s a beautiful version, combining an almost identical rhythm created by Youth Group, with original lyrics and music written by Alphaville, and go lower by a few notes (keys). Essentially, it’s a remake of a remake. For Aussies, imagine your favorite INXS song remade by Pennsylvania’s Ween, then remade again by Liza Minelli.

Those of you who know me as a songwriter have heard my rants on a need to push for new original material to keep the continuum of the “oral” history in songwriting alive.

I’m sure with the interest expressed on the internet, Pluto will eventually come out with their remake. But if you can’t wait, you can go get an mp3 version of Youth Group’s Forever Young here. Take my word for it: it’s almost identical to the one featured in Tourism New Zealand’s commercial.

You could also go for Hamel’s remix on the piece, utilizing Alphaville’s original vocal track to a dance track. If you want to hear a girl sing it, Robin Ella has many dance versions on Forever Young Remixes.

Curiously, the people who brought this song into the world, Alphaville, released an 8-cd box set of their demo songs in 1999’s Dreamscapes, and Forever Young, recorded as a demo in 1977, is featured in the collection. Wikipedia describes this version as “shockingly modern,” so I wouldn’t be surprised at all if Youth Group found inspiration for their remake in Alphaville’s 30 year old Forever Young.

That’s the problem with remakes. The labyrinthine path to track down credit where credit is due, is only open to the stalwart few who are stuck at home on a snowy Saturday night.

I will say that constantly remaking a song called Forever Young is brilliant. It’s almost as if people who sing “hope I die before I get old” call it permanent quits at 50, then reunite every successive year, and fans- who thought they’d never get to hear their favorite rockers rock again- continue to attend their concerts year after year, paying top dollar just to hear them sing “won’t get fooled again” again. But that’s just my imagination running wild.

(To read about my other song tracking adventure, try The Global Search for that haunting choir from Werner Herzog’s Nosferatu)

The Sex Monster (update: Jan 9, 2009)

Friday, January 9th, 2009

Mariel Hemmingway, Sex Monster

Although I will never divulge the reasons that led to the following utterances, I will say that memorable compliments are far and few in between when you are someone like me.

I just got my second memorable compliment in almost 20 years.

I was recently called “A Sex Monster”

For those of you who have been reading this site, you will know that I think a sexual addiction is not a crutch, but an asset, as long as extramarital activities are off limits. After all, a genuine Stepford Wife is suppose to have a prodigious sex drive. But a “sex monster” attains a different level of comedy altogether. Just the two words put together conjures Dionysian frenzy and apocalyptic orgasmathlon.

So I went and investigated the movie I was labeled after.

For the uninitiated, this HBO special featuring Mariel Hemmingway was not the only vehicle portraying the actress to be a frenetic sex machine. Before it came along, she starred opposite Andrew McCarthy in 1991 Tales from the Crypt’s Loved To Death as an apartment neighbor of a smitten man who introduces a love potion into her drink. After that, she turns into a raging sex monster who wants it 24/7. McCarthy then had to resort to the alchemist to get an antidote to break the original spell. Mike Binder’s 1991 The Sex Monster has a husband who fantasizes about his wife (Hemmingway) with another woman in a three way. Once his wife reluctantly agrees to try it for a night, she inadvertently unleashes within herself a raging sex monster who wants it 24/7.

The casting agents must know something about Mariel we don’t.

The comedy of The Sex Monster operates on the facetious yet ubiquitous fantasy men have of going to bed with two women. The most hilarious jab from the film is “if they can’t satisfy one woman, how do they expect to satisfy two?” And the second funniest notion arrives when the male is summarily subtracted from the equation. After all, if men can’t satisfy even one woman, then the “home ground advantage” should go to women who can. The fantasy turns into paranoia the moment the fantasizer gets pushed out of the picture.

Though very Woody Allen-ish in its execution, The Sex Monster is playfully funny. The title is still the best part of this film.

A Tranny Car or A Granny Car (Update: Jan 8, 2009)

Thursday, January 8th, 2009


1994 White Jaguar XJS

I was just recollecting a conversation I had some ten years ago. Some online male remarked, “oh, I have this tranny car, you’ll totally love it.”

Having had a diverse childhood – one which included befriending kids from nomadic families, hot rod motorheads, polite society, scary bikers, and artist hippies – I assumed he was referring to the part of a car mechanics shortened for transmission. But this was not the case.

Instead, he said, “it’s an all white Jaguar XJS with leather interiors.”

How does THAT make it a tranny car, I wondered? What does that say about his judgment, and more importantly, what did that say about “trannies”? So I said,

“Oh you mean we like things that are overpriced, all about appearances, poorly made, and spends 11 months in the garage?”

Not I. If cars were a Rorschach of our interior, I would definitely go for something that old ladies drive. Looks dowdy and antiquated on the outside.

But turns out a quarter mile under 11 sec. A sleeper, in other words.


1970 Dodge Dart & Mopar

It’s all about what’s under the hood.

Bang for the Buck (update: January 7, 2009)

Wednesday, January 7th, 2009

I was recently discussing diamonds.

The fact that hardened coal, artificially marketed as a rarity can continue to command such a high price, is a hint at how worth amongst human beings can be distorted.

I guess there’s no substitute for the gauging of one’s trophiness (or hottie-ness) like an 8 carat deBeers. Not sure whether it’s the artificially inflated cost or the suffering African miners that will make a woman feel loved.

There’s no secret that I thought Breakfast At Tiffany’s Cracker Jack ring was brilliant. But I would leave a man in an instant if he tried that stunt. I wouldn’t leave him for the cheapness of the gift.

I would leave him for his lack of originality.

But I was recently asked to pick a nice ring. My eyes immediately glazed over when I saw this:

(of course, they didn’t have my size)

Sure, I could settle for a fairly expensive imitation of a diamond ring (cubic zirconia?) or a lesser make-do diamond ring. But no matter how much you spend, it’s still a lesser imitation of something that may not necessarily be better, only more expensive.

Why not forget about the price tag for a change, and go for the best original? A plastic daisy ring may be $0.40, but there’s no better, $0.41 plastic daisy ring. It’s the best for what it is, because it’s not imitating any other ring. It may make allusions to a daisy.

But you can’t put a price tag on a daisy.

Speaking only for myself, I sometimes feel the same way about my trans* state: why try so hard to be an inferior copy of a girl when I hardly have to try being hard as the best 2-for-1 girl in town?

Ideally, being a 2-for-1 special would require that I request the very plainest and most cost-effective-looking ring that secretly costs an astronomical sum of money.

I don’t need the world to know how much money was spent on me. I just need to know that I put two dents in a man’s pant pocket.

How else can a 2-for-1 girl be satisfied?