Archive for the ‘Gay Transvestites’ Category

The Opposite of Wallflower (update: March 02, 2010)

Tuesday, March 2nd, 2010

What is it? Everyone debates, but there is no consensus. Mixer, extrovert, showboater?

Yet everyone knows what a wallflower is. I was just having a conversation with the bf the other night about how women tend to be wallflowers. It may sound traditional, and in some quarters, it may even be frowned upon. It would seem that society gives more leeway to women for being wallflowers. For men to be wallflowers, they would be seen as “queens” in the gay world, or socially-impaired in the straight world.

I know I come across articles where interviewed guys say how cool it is for the girl to be the aggressor once in a while, that it is nice for the girl to make the first move. I can sympathize with that. But I am surrounded by traditionalist books chock full of 1950s advice articles. I think it’s okay for the girl to be frightened little creatures, especially in settings where it’s a male-oriented domain. I too, see men who are wallflowers as a tad high-maintenance. I guess that’s what happens after years of soy energy bars, Starbucks Buttofuccocino and Sarah McLachlan mp3s on the IPod.

Trust me, if you are a guy who is after a girl, another tgirl, or even a guy, the bottom half always likes to be pursued. As much as people kick and scream about the perks of modern egalitarian order, there’s nothing quite as sexually arousing as a man on the prowl. He gets kingpin respect, no matter how much he’s not all that. Even though society ladies today flip gangsta signs and get out of confession booths without panties on, a man is still defined by his actions, a gal by her helplessness, or inaction.

Among girls, when they see a fellow sitting there waiting for the women to come to him, the first thing out of our scandalized mouths is, “who does that bloke think he is, a chick?” As a person who has pursued others decades ago – and seen how easy it is – I myself think, this guy is either a princess or he’s lazy as sin.

To be fair, in the game of the hunter and the hunted, what women lack in physical aggression, they more than make up for in signals. I guess it’s the guys who know how to read them that become the first ones past the gate. I think one needs to make the distinction between a wallflower and playing hard-to-get. A wallflower is just too shy to make the first move. Playing hard-to-get is pretending you are unobtainable even after the first move has been made.

Futanari of the Day Pic (update: Feb 18, 2010)

Thursday, February 18th, 2010

One of my all time favorite futanari “illustrations,” is really nothing more than a digital modification of someone else’s art work. I see this image passed around Flickr often, and it annoys me when people online don’t bother to find out who the original artist is and properly credit their sources. Fabulous Tasha and Kimberly Wilder are two greats that often suffer the same fate. This particular image reminds me of Norm Rockwell’s work, which falls in line with my 1950s fascination.

The above image originated from Art Frahm, who, it seems, is an expert on portraying women who don’t have a clue what proper fit means when it comes to intimate apparel. Logically speaking, trannies are the last women on earth who could have their panties fall down their legs. Not because they aren’t willing, but more so because it’s nearly impossible for that to occur, given the heighten state at hand.


Movie Review: Sukeban Boy (Oira Sukeban) (“I’m A Barbaric Female”) Update: Jan 13, 2009

Wednesday, January 13th, 2010


Sukeban (Amisa) lifts her schoolgirl skirt and shows her assailants her secret weapon in Sukeban Boy

Ever wondered how crazy a Japanese manga comic would look like if it were translated into film? Noboru Iguchi’s 2006 film Sukeban Boy comes close to satisfying one’s imagination: Shemales, homosexuality, lesbianism, incest, crossdressing, gore, martial arts, bondage, Cosplay, schoolgirl outfits, slapstick humor, romance, flatulence jokes, and the super-cute Emiru Momosa. I want to say the only thing it doesn’t have is Seinfeld’s slap bass riffs. No wait. It has that too.

Because the plot is THAT good, I am going to provide a full blown spoiler here, confident that you will still get every ounce of entertainment from it even after knowing the story. For those of you who are not familiar with the genre, it might seem strange. For those of you who are, you’ll shrug and think it’s a walk in the park.

Sukeban (female actress Amisa playing a boy) is having problems at school. With a girl’s face and figure, he is constantly harassed by his classmates and local gang members. One day, as he is taking a bath, his rockabilly dad hops into the tub with him. “I have an idea: you change schools and go as a girl.” Before they agree, his father says “you’re so girly I’m attracted to you, despite that thing you have between your legs.” Sukeban then starts school as a girl the next day, showing up in the classic manga sailor school uniform that we’ve all come to associate as a gateway to savory thoughts. But now there’s a new problem: he runs into the girl gangs, who throws knives that can instantly render fellow schoolgirls topless. Sukeban makes friends with Mochiko (Momosa), who introduces her to The Humility Club, an afterschool group that practices the art of Japanese modesty. Of course “modesty” here entails stripping in front of fellow classmates. What is Sukeban to do now?!

Emiru Momosa as Mochiko, simply adorable and darling

Luckily, another girl gang The Half Naked Women, reveal themselves, and a fight ensues, but not before Mochiko is forced to humiliate herself. Tremendously impressed that Sukeban has defended her honor, Mochiko gets a crush on Sukeban. Unfortunately, the leader of the girl gang, Kanko also gets a crush on the girl who beat her in the duel. She decides to woo Sukeban away, leaving Mochiko to mope. Later that evening, Kanko gets a note to meet Sukeban in school. Instead, she comes face to face with The Naked Witch, The Full Frontal Woman.

The next day, Sukeban’s crazy dad and his gang all show up wearing schoogirl sailor uniforms in what we are suppose to believe is an undercover move to catch the Naked Witch. Instead, they come face to face with The Braless Women gang, headed by the sister of the now legless Kanko (she got them dismembered by the Naked Witch). The Braless Women shoot bullets from their mouth. One of the guys Tetsuro, who looks remarkably like a dead ringer of the Dalai Lama, gets one in the buttocks. Now I’m not saying you have “thoughts” about seeing the Dalai Lama in a schoolgirl outfit with pink panties on all fours. But if you do….well here’s your chance to realize that dream.


Who knew reincarnation could be this painful? Tetsuro looking eerily like a famous religious leader. Now you know why the Chinese hate him. They’re jelis of his legs!

Mochiko then reveals herself to be a ping pong champion, fending off bullets with an iron paddle. As Dad’s crossdressing gang attempts to get away, they run headfirst into the Monk Girls, who’s primary mode of engagement is clothespin (on chains) to bare men nipples. As hairy men in schoolgirl outfits whine to their nipples being yanked, Sukeban runs off with dad, but he’s no better off, as dad suddenly gets the idea to smother his son with his bare nipples. Mochiko shows up to save the day, but only to inject Sukeban with a large does of estrogen, confessing that she knew he was a boy all along. Being a lesbian, she can only embark on a relationship with our hero if he became a she. It becomes obvious that Mochiko is also the Naked Witch. An epic fight follows, machines guns come out of breasts vs feeble gatling guns from leg stumps. At this point, the film budget must have run out because the sequence is shot at a level as if it the camera were operated by a midget. All we see are naked torsos, buttocks and bosoms clashing. The two protagonists are unable to off each other. They kiss and make up.

Cut to the future. Now not only has Sukeban’s estrogen worn off, mysteriously leaving the breasts intact, but his male organ has been reinstated to twice it’s size, but Mochiko has also grown a large one of her own.

The movie ends with the two cute Japanese girls with monster penises (covered), happily in love, surrounded by the entire male cast dancing in fundoshi (Japanese men’s white wrapped undies). All in 60 minutes. Everyone goes home happy. Who could ask for more?

Now somebody send a copy off to Pat Robertson.

The Quest for Authenticity: Friend of Dorothy Seeks the Real McCoy (update: Jan 9, 2010)

Sunday, January 10th, 2010

China's fake revolution,  knockoff, the counterfeit culture of fake crap, mediocrity and lies

Whenever I spend more than ten minutes talking with any of my relatives- including my mother – the subject of modern China’s utter mediocrity and fakeness in almost every aspect of living (except eating Chinese food and loftily declaring China as No.1) comes up. The conversation unfolds in a tone of dismay, dotted with frequent “ugh’s!” I know we are not unique in our sentiments, for any mention of modern China to another Chinese will immediately invoke a “Don’t. Even. Get. Me. Started.”

Yes, it’s true that most of America is run by borrowed money from China today, and it’s safe to assume that if you don’t see another entry here in 24 hours, I’ve probably been assassinated for this post or this website has been hacked, even though I live half way around the world from China.

It’s not self-hatred. It’s…well, a certain level of scrutiny only allowed to any race of people when discussing their own people. Comics have been doing it for years. Where does one even begin with the Chinese? The total lack of respect for intellectual property, the arrogance and anachronistic consumption of all living organisms for “delicacies,” the manufactured consent, manufactured stock numbers, manufactured news, fake ingredients, smelly drywalls, and the “kiasu” (fear of losing to other people) mentality, the overcompensation by way of brand label worship, and the endless supply of all things fake, copied, deceptive, built on a kaleidoscope of lies.

Sure, they can buy a Buick with all that dishonesty….but ask anyone around the world what they think of the Chinese today, and chances are, most will dispatch a dismissive diatribe that puts the poo in poo-pooing. Is it really worth this sort of ignominy for short term gains, especially when you are talking about one of the greatest civilizations in history? How did it go from the inventors of gunpowder, paper, noodles, compass to these modern day Louis Vuitton-carrying, Burberry-scarfed overgrown infant wannabes? You could say that this is all the handiwork of Mao, who set the nation back by some fifty years; but the truth is, the model for learning in Chinese culture is repetition and duplication. From the first day kids go to school, they are drilled to memorize and repeat what the teacher says. Piano lessons chock full of Fur Elise, multiplication tables, caligraphy lessons, language skills, you name it. The better you can reproduce what is put in front of you, the better your grade.

Unfortunately, this model of education encourages a lifetime of superficial imitation, not analysis nor penetration.

I mention all this because I want to set the foundation for what I’m about to talk about. An average trans person has an uphill battle because she is up against the same charges of counterfeiting (counterfeiting femininity) as the modern mainland Chinese are. Now, as a Chinese (possibly some Japanese in there), AND a trans* person, that normal hill, to me, becomes a personal Everest.

Even though I have only been to mainland China once in my life (and will probably be barred for life after this post), when I am identified with the nationality that is synonymous with cheap knockoffs and fakes, it’s a crippling double-whammy. Non-Chinese trans people have some room to play with. People will think “well, she’s not really a girl….but, hey, at least she can prepare babyfood out of real ingredients.” In my case, the consensus is “well, she’s not really a girl…..and she is also capable of ripping off I-Phone’s design, using cracked software, cooking with imitation truffles, making fake roast pork buns out of chopstick shavings, manufacturing toothpaste with antifreeze, stealing software code, selling crap on Ebay, making drywalls that emanate a fragrance in the house as if you had a visitor who just came from the local Taco Bell after a 2-for-1 bean burrito giveaway, and she could be carrying a fake Louis Vuitton, driving a stolen car, dating a wannabe boyfriend, printing money at home…..”

I know I have said we should all not care what people think. But when you’re up against a wall of doubt, you begin to question how many details in your life are indeed, authentic. You can get away with one gloss if your identity is rooted in a fairly respectable reputation. It’s like a slightly plump girl can still get away with wearing fitted jeans. However, when people see me as trans then associate me with the Chinese who are associated with cheap imitation, I’m like Kirstie Alley in a Brazilian low-rider: the muffin top is enough to get Ethiopians screaming for Jenny Craig trial memberships.

Consequently – even before I consider the trans angle – I have always pushed for originality and authenticity. When we were in bands, I always played and wrote my own lyrics and music. I try to create my own style and look, and steer clear from mimicking women per se. I have a strong disdain for lip-syncing (a big drag favorite) seeing it as “stealing” other people’s voices. We try to create an original Christmas tree in our home each year. I have such a phobia of counterfeiting that I didn’t even feel right using just any girl’s name. When I was dating, I instantly dropped any man who lied to me about his wife, marriage situation, or personal details. I constantly remind people of my age, my height, and the dizzying list of my shortcomings.

There’s simply no allowance for a single detail of phoniness in my life.

It’s not anyone’s fault if they happen to chose dating me. I pity the fact that I can’t provide anyone the luxury of daydreaming a little. Because of this complex I have been forced to be associated with, I crave originality, honesty, authenticity, and the genuine. (There’s nothing sexier to me than a decent man who has led an honest life)

Navigating between two groups that are seen as cultures rooted in imitation, I just can’t afford the psychic cost of knockoffs, whether it be a handbag, a scarf, or an imitation of life.

Let’s put it this way: even when I am wearing loose-fitting jeans, I still need to suck my tummy in.

Dorothy, do you have room for one more?


No Dogs or Crossdressers Allowed: How To Pass Online (update: Jan 4, 2010)

Monday, January 4th, 2010

no trannies allowed sign, no crossdressers allowed sign

First there were dogs.

Then came the Irish.

The Chinese followed.

Mexicans, Spanish, all along a jolly path outlined by black dotted lines.

Now it’s the tranny’s turn.

Browse any girl-watching photo groups on Flickr.com and you will see that many have an urgent, hysterical plea “NO CROSSDRESSERS PLEASE!” in the description.

The wailing cries are summarily ignored. Tranny after tranny flood the groups with pictures nobody wants to see. Somewhere a RAID web server moans. Like Jehova’s Witness doorknockers or life insurance policy telemarketers, these girls just don’t get it. It’s as if they are attempting to cyber-pass where chances of doing so in the real world are nil.

Whenever I come across these mutilated groups, I join in with the remonstrations to beg my fellow trans* girls to stop posting and create a group for their own. The Jews have been doing this for years. Can’t get into that WASP Country Club? Create your own! We are not water: we can’t beat against the rock of intolerance until it erodes. We are not John Cage: we can’t devote our lives to beating our head against the wall to pass it. Have you heard some of Cage’s music?

In fact, I have even gone to lengths to create CD/TV/TG focused groups to redirect the onslaught of crossdressers to a space where at least people will want to see them. I think the mounting psychic damage from being repeatedly told you’re not welcomed can’t be healthy. At the same time though, I also pity the victims of non-consensual guerrilla photo posting.

If you mirror this scenario in real life, then it becomes an argument of public spaces trans* people are welcomed in, versus the ones they are not. Though it’s safe to say I don’t pass, nobody’s ever told me to leave an establishment, but maybe it’s because I don’t wear 6 inch stilettos with a 7 inch skirt. One can rush to bicker that this now becomes an issue about passing. But I don’t buy that. I have said this until I am blue in the face: Many, if not most of us, DO NOT PASS. No matter how great you look, it’s purely a question of proportions, and volume. Put most transgender girls who pass with flying colors alongside a genetic girl and the difference becomes glaringly obvious.

So once I accept this, I focus all my energy instead, on presentation. If you cannot pass, why not make the effort at an agreeable presence? Yes Virginia, that means you cannot dress like a hooker to go shop at the Kids-r-Us. The leopard-print thong with matching stripper sandals must be left at home for Holy Communion. Of course, you are free to roam around any Starbucks – practically with vibrator engaged- because we all know no reasoning people pay 5 dollars for a cup of coffee. For those that may have a hard time grasping this concept, happily, there’s a website to aid you. Look at this as a Tranny Dressing Guide. If you dress in a way that there’s a danger you may end up on this website, time to hunker down with some fashion advice books. What Not to Wear by Trinny Woodall and Susannah Constantine is a good place to start.

Convert this back into web etiquette, and you will have, at the very least, a better chance of escaping the chagrin of group administrators. Be honest with yourself: if you can’t go out in public in the daytime without invoking steely stares, it’s probably safe to say, you won’t be welcomed at a girls-only site.


Mac trapped inside the body of a Windows? Introducing the Pre-Op TransOS W-t-M (update: Dec 16, 2009)

Wednesday, December 16th, 2009

Windows trapped inside the body of a Mac
click on the picture above to see my Post-Op Desktop

Approximately after two years of considering the purchase of a Mac, I have decided that I’m way out of my league in hip when it comes to spokesperson Justin Long, and their legion of Starbucks laptop screenplayrights, considering my style of obsolescence. So, I decided to give my PC a O-SRS (Operating System Reassignment Surgery). It is now in the GUI stages of a Windows-to-Mac transition. Little did I know, my XP windows PC started to exhibit some peculiar traits that I was only too familiar with.

1.It thinks it’s officially a Mac, just because I hacked off its “right click.” You can still see the second button, but it thinks it’s been a 1-button mouse all along

2. It thinks it understands all the problems Mac’s are going through, just because it has a Mac Wallpaper.

3. It choses the latest Snow Leopard OSX 10.6.2 desktop themes to dress itself up, even though it’s running on a Windows 2000 code.

4.It celebrates Mac’s Command+click as the ultimate way to select, without realizing that the Windows right click has always been more responsive, faster to the touch, and more ready to be engaged.

5. When the XP account goes to sleep, it goes out around town looking for Mac users, even though it swears it’s an XP…when among other XP users.

6. Among Macs, it complains about how XP is unreliable, frequently experiencing BSOD (blue screen of death), and is vulnerable to viruses.

7. Just because it now looks like a Mac, it thinks it can surf all over the world without getting malware, because come on! It doesn’t go to those sites!

8. It adopts all the smug annoying qualities of its head spokesperson, looking down on Windows pc’s with Itunes installed as mere wannabes that lack the commitment to go all the way.

9.It quotes Steve Jobs’s commencement address in its entirety at Mac forums, referring to it as the Apple Monologues, frequently dispatched in an overly dramatic font.

10. Since it has a Mac logon screen, it thinks unless computers have a Mac logon screen, they are not officially Macs and shouldn’t be allowed in Mac user groups.


Movie Review: Todd Solondz’s Palindromes (2004) Update: Dec, 11 2009

Friday, December 11th, 2009

I have been listening to the entire catalog of Scottish pop sweethearts Belle & Sebastian. Their album Storytelling was originally written as a score for Todd Solondz’s movie of the same name. After listening to it, I decided to revisit some of Solondz’s films. I loved Welcome to the Dollhouse (I think Heather Mattarazzo is a darling, even to this day), and never realized Dawn Wiener and her brother reappears in Palindromes. So I thought I watched that again as well. In my mind, the music of Belle & Sebastian has already interwoven itself into my perception of Solondz’s nihilistic, deadpan humor.

Alright, I admit it: I originally watched Palindromes to see a boy playing a girl’s role. For this task, Will Denton grudgingly acquiesces.



Upon rewatching it, I found Palindromes to be so much more than the dark comedy of Solondz. People like to use “disturbing,” “unsettling,” and “freaky” to describe his films. Unfortunately, based on this alone the art of Solondz often gets thrown together with the works of Harmony Korine, Larry Clark, and even Zak Penn. I think Solondz’s films, especially Palindromes, is closer in craft and spirit to the forefathers of these guys. Herzog, Jean Luc Godard, and even Wim Wenders. The main character in this film is played by eight different actors of different ages, race, gender, height, weight, etc. It’s not a gimmick. Godard may have used it as playful surrealism, but Solondz utilizes it here to extrapolate on a philosophical outlook the way Bunuel used it as political commentary in That Obscure Object of Desire. Witness the climax of the movie, when Dawn’s older brother, Mark Wiener, alledged but then acquitted ch*ld m*l*ter, strikes up a conversation with Aviva.

Aviva: Do I remind you of Dawn?
Mark Wiener: Yeah, a little, of course different. She was she, you are you. X is not equal to Y. People always end up the way they started out. No one ever changes. They think they do but they don’t. If you’re the depressed type now that’s the way you’ll always be. If you’re the mindless happy type now, that’s the way you’ll be when you grow up. You might lose some weight, your face may clear up, get a body tan, breast enlargement, a sex change, it makes no difference. Essentially, from in front, from behind. Whether you’re 13 or 50, you will always be the same.
Aviva: Are you the same?
Mark Wiener: Yeah.
Aviva: Are you glad you’re the same?
Mark Wiener: It doesn’t matter if I’m glad. There’s no freewill. I mean, I have no choice but to chose what I choose, to do what I do, to live as I live. Ultimately, we’re all just robots programmed abritrarily by nature’s genetic code
Aviva: Isn’t there any hope?
Mark Wiener: For what? We hope or despair because of the way we’ve been programmed. Genes and randomness, that’s all there is and none of it matters.
Aviva: Does that mean you’re never going get married and have children?
Mark Wiener: I have no innate desire to get married or have kids. But that’s beyond my control. Really, it makes no difference. Since the planet’s fast running out of natural resources and we won’t survive till the next century.
Aviva: What if you’re wrong? What if there is a God?
Mark Wiener: If that makes you feel better.

This scene had such an impact on me, I actually saved it to videotape the first time I saw it. It definitely fortified my views on what could and could NOT be changed when one transitioned from one gender to another. I guess Solondz’s cynicism was infectious, for to this day, I firmly believe there are many things no amount of hormones can change.

The scenes with Mama Sunshine’s Pro-Life family are priceless cinematic gems. According to IMDB, Solondz had to put up his entire life savings (this is after several films that critics all over the world went wild over, claiming prizes at film festivals everywhere) to make this film as no studios would back it. Personally the magic of Solondz is that he will go where no man has gone before, just to explore a new dramatic vehicle or narrative structure. Where else can you hope to hear a p*do’s side of the story, a sex maniac’s, a ultra religious pro-lifer’s, a violent lower class boy’s? And they are not always critical. Some are sympathetic. Of course, when his brand of humor hits, you are caught between laughing out loud, crying, wincing, or running off screaming wringing your hands. It’s like an oenophile stumped for a word to describe a Bordeaux.

Of course, it definitely helps that Todd Solondz is from Jersey (“CAUSE JERSEY’S WHERE AMERICA’S AT – YEAH!!!! YEAH!!!! YEAH!!!!). I always root for our boys when one of us makes good.

Plus…I think I may have developed a crush on Todd.

She layeth the smacketh down (update: December 3, 2009)

Thursday, December 3rd, 2009

I’m not a violent person. True, I am intrigued by rough sex and I do watch some MMA if I stumble upon it. But in the youtube clip above, you will see a fantastic graphic and physical realization of what many trans girls experience when they go out in public. I know I had to go through this in my nascent days. Now that I dress like your grandmama, this scenario no longer seems probable.

For those of you who can’t connect and since this is a silent clip, I will first narrate the sequence of events as shown in the clip, and I will follow with what I believe are the stages those two T*girls may have gone through.

First, the story: Three drunken yobs in Swansea Wales were prowling the streets after what appears to be pub throw-out time. They get in the face of a bunch of innocent bystanders and a scuffle erupts.
Coming out on top (it is unclear), they strut down the street, proud of the menace they have freshly earned as reputation. Pumped up. The three pass two “girls” and one notices. Immediately, the shirtless toughie says, “let’s go mess with them, let’s go start some sh*t with them.” They catch up, and it all starts off civil. It always does. He says the wrong thing, and literally, in the timeframe of 1.5 seconds they are down like a sack of bricks. What happened? Shirtless thug No.1 gets the smackdown on his spinal cord. He collapses instantly. No.2 gets a solid roundhouse to his neck. Both courtesy of the dishonored ladies, who pick up their purses and walk off.

This is no staged beating. You get to see the two guys wobble into walls, collapse in an alleyway and finally down for the count when the police pull up.

Now, the internal narration from what I think those two girls were going through.

1:03 – 1:05 “I think those louts have seen us? Let’s just act normal and hopefully they will ignore us.”

1:11 – 1:13 “Oh no, here they come. Why can’t we just go out for a walk without getting harassed? Steady, let’s hope for the best.”

1:15 – 1:17 “I hope he isn’t going to say those tired, trite wisecracks that we’ve all heard for the past twenty years from the last five hundred guys who feel they need to make a remark.”

1:19 “He just said the same- POW!”

I know many many trans and gay people are cheering when they see this. That doesn’t concern me. What is interesting to me is the explosiveness of the violence. People who are not in the culture can only gauge us by onscreen representation. In this case we are either rock queens (Hedwig), or serial killers (Silence of the Lambs). Every trans person I have ever met was not a violent person. However, many, if not all trans girls I know stress about going out in public.

What you are seeing in the clip – I think – is years of hearing the same old thing, catching the same old stares, and the psychic tension that builds up from having to put up with this sort of nonsense. The three guys didn’t realize they were playing Russian roulette. And they happened to be the ones who got one in the chamber. I’m not saying all trans people will react this way when some bully happens to pick the wrong time and place.

I’m saying to all you guys who think you can successfully showboat your manhood: “this is the level of tension you are up against.” Not all crossdressers are going to wallop you with WEC cagefighting precision displayed here, but I can assure you the adrenaline level is that high in their fight-or-flight mechanism. What they do with it is another story.

If all this doesn’t convince you, then let me offer a simple line of logic. If they are failing at passing that badly…meaning, they are big-boned, hairy with big arms and clumsy in heels. Ask yourself this: what do you actually think they do in their dayjobs when they are not wearing that skirt?

Hint: Manicurist is probably the wrong answer.

“Well Nobody’s Perfect!” The Some Like It Hot Codes (update: November ,2009)

Tuesday, November 17th, 2009


I read somewhere that the American Film Institute voted Some Like It Hot as the funniest movie of all time. I’ve been hearing about it for so many years- given the subject matter of crossdressing – I finally decide to sit down and watch it. After all, movies do set some precedent for the rules of conduct in public. And movies have always told us that a man in a dress is a rip-roaring good time.

What this 1959 classic does do is to establish a set of jokes that have since been recycled to death in any comedies concerning men in dresses; you know, the dual identity fellow falling in love with a girl while in drag, then having to switch back and forth at last moment’s notice at the cusp of getting caught. Then there’s the inadvertent love interest where an older- seemingly clueless man – falls for the crossdresser lead, who then spends the entire movie pushing him away. Ladybugs, White Chicks, Sorority Boys, The Hot Chick. It’s all the same drill.

What is groundbreaking about Some Like It Hot is the proposition that Jack Lemmon’s character, Jerry/Daphne actually gets seduced into a world of crossdressing and being married to a rich man. Call it humor and laugh nervously if you need to, but no mainstream comedy movie since has dared to suggest that what started out as a tactic to evade evil gangsters, could become a way of life once our crossdressing hero got a bite of the forbidden fruit. Of course, the closing scene, when Osgood Fielding III, a rich man proposes to Daphne on his speedboat,

Jerry/Daphne: Oh, you don’t understand, Osgood! Ehhhh… I’m a man.
Osgood: Well, nobody’s perfect!

remains the only scene worthy of any lasting impression. Maybe Princeton does provide superior education after all. No Hollywood movies have handled the moment of disclosure with such aplomb. (2004’s White Chicks updated this scene with a modern (and vicious) brand of self-loathing racism. When Marcus revealed to Latrell that he was a black man pretending to be a white woman, Latrell, a black man countered with “Negro please. Didn’t any one tell you that this was an all white party, huh? Someone get this jiggaboo away from me!” Revealing as it may have been, it was far from being a happy ending.)

The social meta-commentary of Sugar Cane Kowalczyk – played by a caricature of femininity Marilyn Monroe herself – being the feminine prospective gold-digger is echoed by Jerry / Daphne’s speech on living the easy life of a kept woman. Surely if a man is to mimic a woman, let him pick the worst possible qualities to possess and amplify. Therein lies the precocious humor of Some Like it Hot. Take a look at any actual “tranny” personals online, and among those who seek men, you will see quite a few who want a generous good-looking, affluent single man who can provide for that special girl. Personally, I would like to know how someone possessing all those qualities can remain single this long.

Of course, Some Like It Hot gets me thinking about the code of conduct between trans* girls and their suitors. For years, I have noticed that many of our “admirers” tend to have a tit-for-tat approach to disclosure: If it’s okay for you to hide what’s under your skirt, it follows that it’s okay for me to hide the fact that I have a wife and kids waiting at home. Or, the variation “if I’m giving you the courtesy of pretending you are a woman, you can surely give me the courtesy of pretending I am single. or James Bond, or a millionaire, etc.” And who among us can ignore the worst one of them all: “I’m open-minded enough to be a man who wants to date a trans*girl…now you have to be open-minded enough to accept that I’ve wanted to try on your dresses all along and I am a crossdresser.”

Whatever it is, it’s basically one interpretation of truth for another. I guess the perception is “if you’re allowed to play games, so am I!”

There’s only one sure way to short-circuit this round-robin of deceit. That’s why my advice to trans*girls on their first date is the following: whip it out first chance you get…preferably during introductions. When a suitor asks for your hand, pull out your best hand and put an end to card game.

What to expect when you break up with a Transgender girl (update: Nov 12, 2009)

Monday, November 16th, 2009

Lucy Montgomery as April, Matt Berry as Douglas

Click on the picture of click here to see the Youtube Clip

While I probably appear somber in my writings here at d332.com, I don’t take myself too seriously in real life. Time and again, people who meet me at parties would dial up my website only to be shocked by some incredibly dry pursuits I consider curiosities. If anything, the collective perception of transgender folk is that we take ourselves way too seriously. The slightest provocation, a misspelled trans-label, a slipped pronoun will supposedly propel us into a 5000-word blog entry.

I’ll be the first to say I laughed long and loud at the South Park episode where Mr. Garrison gets a sex change. When she b*tches about how men are pigs, or when she proudly and openly announces that time of the month are scenes of well-researched satire.

I found The IT Crowd, a British TV series about geeks who work in the I.T. Department of an office, when I googled “Movies and TV Shows with women in suits.” The episode from the third season “The Speech” has the hilarious sexist boss Douglas, hooking up with a news reporter who turns out to be post-op transgender. After they have sex, Douglas marvels, “Amazing! Just Amazing! You really know your way around that area!” What follows is a sequence of the lovebirds going out and doing “guy things” together: chugging pints at the pub, rooting for football teams, arm-wrestling, having pizza and beer in bed.

It’s a long way from the days of Monty Python, when a man in a dress could automatically evoke laughter. Thank heavens television’s sense of humor has matured, even if the general public’s remain stunted.